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Title: Under the Eiffel Tower

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CAM Common; Quality issues make this an unpopular format
A copy made in a cinema using a camcorder or mobile phone. The sound source is the camera microphone. Cam rips can quickly Under the Eiffel Tower appear online after the first preview or premiere of the film. The quality ranges from subpar to adequate, depending on the group of persons performing the recording and the resolution Under the Eiffel Tower of the camera used. The main disadvantage of this is the sound quality. The microphone does not only record the sound from the movie, but also the background sound in Under the Eiffel Tower the cinema. The camera can also record movements and audio of the audience in the theater, for instance, when someone stands up in front of the screen, or when the Under the Eiffel Tower audience laughs at a funny moment in the movie.

Telesync TS HDTS TELESYNC PDVD PreDVDRip Very common
A telesync (TS) is a bootleg recording of a film recorded in a movie theater, Under the Eiffel Tower sometimes filmed using a professional camera on a tripod in
the projection booth. The main difference between a CAM and TS copy is that the audio of a TS is Under the Eiffel Tower captured with a direct connection to the sound source (often an FM microbroadcast provided for the hearing-impaired, or from a drive-in theater). Often, a cam is mislabeled as a telesync. Under the Eiffel Tower HDTS is used to label a High-definition video recording.
WORKPRINT Very rare
A copy made from an unfinished version of a film produced by the studio. Typically a workprint has missing effects Under the Eiffel Tower and overlays, and differs from its theatrical release. Some workprints have a time index marker running in a corner or on the top edge; some may also include a watermark. Under the Eiffel Tower A workprint might be an uncut version, and missing some material that would appear in the final movie (or including scenes later cut).

Telecine TC HDTC TELECINE Fairly rare
A copy captured Under the Eiffel Tower from a film print using a machine that transfers the movie from its analog reel to digital format. These were
rare because telecine machines for making these prints were very Under the Eiffel Tower costly and very large. However, they have recently become much more common. Telecine has basically the same quality as DVD, since the technique is the same as digitizing the actual Under the Eiffel Tower film to DVD. However, the result is inferior since the source material is usually a lower quality copy reel. Telecine machines usually cause a slight left-right jitter in the picture Under the Eiffel Tower and have inferior color levels compared to DVD. HDTC is used to label a High-definition video recording.

Pay-Per-View Rip PPV PPVRip Uncommon
PPVRips Under the Eiffel Tower

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